Jesus as the New Adam

Michelangelo's Naked Christ

I offered this post on May 3, 2017.

Jesus as the new Adam is a trope familiar to Christianity since Paul’s letters to the Romans and Corinthians. It has come to be reinterpreted by others, and perhaps what I present here has already been imagined, as anyone reading this blog knows my knowledge is limited. But I want to offer what meaning came to me as I grappled with the notion of Jesus “dying for my sins” during this recent Holy Week. 

I have flat out written on this blog that the God who is worthy of my devotion would never require the death of any kind of scapegoat as a stand-in for me taking responsibility for my own sins. 

But I have also written that the sacrificial love represented in the story of the cross mythologically conveys the absolute and eternal depths of God’s compassion. Many theologians have focused on the concept of God dying on the cross rather than “his only son,” taking the onus of a demanding, bloodthirsty God off the table. And anyone who has had a terrible sin to forgive of another knows the suffering such compassion entails. 

Longtime readers may remember that one of my Holy Week practices is to read one chapter each day of a short book, The Temple of God’s Wounds, in which the narrator visits a mythological monastery at a turning point in his life. I’ve written that I overlook his transactional understanding of atonement to contemplate other, deeper spiritual wisdom contained therein. 

This time I focused on how difficult it is for him (and  for me) to face that which is absolutely holy. I understand better the “mysterium tremendum,” the “terrible” face of God or, as the OED adds in its definition, of existence itself. 

During our last visit shortly before his death, an elderly dedicated churchman surprised me by his sudden tears and seemingly non-sequitur confession, saying something like, “I hope dear old Mother Church can forgive me for any embarrassment I’ve caused her.” I don’t think this was prompted solely by his having been a closeted gay man. 

Age may make us aware how far we have fallen short, not only of the glory of God, but of the glory of being a child of God, because I found during Holy Week that, along with the writer of The Temple of God’s Wounds, I felt such a need for forgiveness! Now, I know, as an introvert, that even the good I may do can embarrass me; but I’ve done plenty of things I’d prefer not to have in my eulogy! 

I have a depiction, acquired in Egypt, of a Pharaoh being weighed on scales opposite a feather. The tradition was that if the Pharaoh’s heart was heavier than a feather, he could not enter eternity.  Few if any of us could pass such a test! 

I have been reading The Islamic Jesus by Mustafa Akyol. A reader and contributor to my blog had asked me if there was a book I was eager to have in my library. Having just read a review of this book, that’s what I asked for. What’s remarkable to me is that the Qur’an, while not supporting Jesus’ divinity, reveres him as a prophet, like Moses and Muhammad. The writer suggests that this was the view of the Jerusalem church and its Jewish Christians led by James and represented in Christian scriptures by the epistle of James, which does not refer to the divinity of Jesus and famously includes, “Faith without works is dead.” This contrasts with other Christian emphases on mere belief, and specifically belief in Jesus’ divinity and substitutionary atonement. 

Thus I realized that progressive Christians have that in common with the early Jewish Christians, not to mention Muslims and Jews. We may or may not hold to Jesus’ divinity, and consider that doing justice and practicing charity and showing mercy are what the Lord (i.e. God) requires of us. 

For me as a progressive Christian, Jesus is the “new Adam”—not the innocent and perfect and beautiful (and initially sexless) Ken and Barbie doll of Adam and Eve; rather the tried and tested, unappealing and vulnerable and wounded one, acquainted with sorrows and grief, the bearer of the sins and injustices of the world—political, religious, and personal. Treasonous and blasphemous, betrayable and deniable, because compassion was all he held dear. 

Thus he knows the trouble I’ve seen, the trouble I’ve gotten into, and the trouble I’ve caused, not just personally but throughout the world. He is the real human being that Adam and Eve could not even imagine in their innocence and privilege. They were rough drafts, prototypes, not as fully human. 

So when Jesus prays, “Forgive them, for they know not what they do,” it seems genuine, true, and possible. 

 

Copyright © 2017 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.  

Tax-deductible donations may be made safely to the “Chris Glaser Archive” through the Tribute Gift section of The Center for LGBTQ and Gender Studies in Religion. 

Personal gifts may be made safely by clicking here.  Thank you!

The Temple of God's Wounds

The cross at Mt. Calvary Guesthouse.

Every Holy Week for many years I have travelled to The Temple of God’s Wounds, a small book written in 1951 by the Anglican Bishop of Bombay, ‘Will Quinlan’ nee William Quinlan Lash, a mystic. Originally from England, in India the bishop helped found the Christa Prema Seva Sangha (sangha means “community”), which, according to his stub bio in Wikipedia, “sought to live Christianity in a way that was faithful to Indian culture.” 

That explains how I received the book during Eastertide of 1988 from the Rev. John Cole, who served in India as a “fraternal worker” (missionary) his entire professional life, immersing himself in its culture and spirituality. John was a sweet and gentle and unassuming man who adopted the speech patterns and body language of the Indian people, complete with their signature deferential slight wobbling of the head.  

John arrived in India the year before Gandhi was assassinated, but never met him because, he confessed to me, his Western reserve initially resisted the cult of personality often associated with Hindu teachers. But eventually India’s spirituality had as much or more effect on John than he on it. He spent his furloughs in the States with the church I served, and so became a friend and confidant and spiritual guide, especially after he retired to southern California. 

You can tell that the story of how I came to have The Temple of God’s Wounds is as important to me as the story within the book. It took me a few years before I started using it regularly as part of my spiritual practice for Holy Week. In first person, the book tells the story of a discouraged, worldly but faithful man who is referred by a colleague to a contemplative community “in the West” that neither advertises nor hides its presence, but is accessible to its neighbors for help and prayers. He soon realizes that men and women of accomplishment in the world come there for solace, self-inventory, centering, and strength. 

The central task he is assigned is the contemplation of seven paintings—one on each day—in the central circular sanctuary. Three have to do with the crucifixion, three with what follows, and the seventh with a vision of their meaning. Each bear witness to God’s wounded love. 

It took me a few years of reading this little book to refrain from trying in vain to picture the author’s detailed descriptions of the buildings, which I can’t follow. Instead of exteriors, I am more interested in the interior life. His life in that week is enriched by walking the surrounding hills, tending the courtyard garden, visiting the sick and dying in nearby villages, sharing silence and worship, conversing with spiritual guides in the community, and reading helpful spiritual writers. 

I also learned to set aside any discomfort I had with any Christian concepts that I may not embrace and accept the central truths about the spiritual life being revealed in this story. In other words, just like reading the Bible, I am looking for the “inside” story in the storytelling—what is intended to be conveyed in the particulars. 

Each time I visit The Temple of God’s Wounds, with its central courtyard cross pierced with nails for each of Jesus’ five wounds, I think of the retreat house in the hills above Santa Barbara that I visited from time to time when I lived in southern California. Mt. Calvary was run by the Episcopal Order of the Holy Cross. It too had such a cross at the heart of its central courtyard. 

My last two opportunities to visit there before it was destroyed in the Montecito fire of 2008 proved spiritual metaphors. The first, I wanted to show my partner and my family members who live nearby the spectacular view Mt. Calvary afforded of Santa Barbara and its shoreline. But my family members wanted us to see a still more spectacular view, and took us to a ridge high above Mt. Calvary, which, given the haze and the height, precluded good vision. The second, on the way home to Atlanta after my interim ministry in San Francisco, was my last opportunity to show Mt. Calvary to my partner and our dog, and we enjoyed a breathtaking view. 

This contrast reminded me that the higher up you are does not guarantee an inspiring view. The Vatican, an ivory tower, a corporate ladder do not assure anyone a better perspective. Success, wealth, even fitness do not ensure vision. The successful but searching narrator of the bishop’s book gives further evidence of this. 

That’s why we need centers and stories like The Temple of God’s Wounds. 

 

I posted this on April 11, 2012, without the photo above, which depicts the cross at Mt. Calvary mentioned in the post. 

Copyright © 2012 by Chris R. Glaser. All rights reserved. Permission granted for non-profit use with attribution of author and blogsite.

Tax-deductible donations may be made safely to the “Chris Glaser Archive” through the Tribute Gift section of The Center for LGBTQ and Gender Studies in Religion. 

Personal gifts may be made safely by clicking here.  Thank you!

Escape to Holy Week

This year I couldn’t wait till Holy Week to escape for my annual visit to The Temple of God’s Wounds. This pilgrimage of the imagination was given me in 1988 by a retired fraternal worker in the Church of North India who spent his last days in Southern California, where I lived. He went to the mission field because, being gay, he could not serve the Presbyterian Church in this country.

Several weeks ago I couldn’t wait any longer for the respite, the sanctuary, the clarity and the renewal of purpose depicted by the pseudonymous “Bishop of Bombay.” Personal challenges and political “disturbances in The Force” demanded less a solution than a resolution to keep on keeping on. As a gift pillow I purchased for my sister earlier that week during Ormewood Park’s Makers Festival declares, “Nevertheless, She Persisted.”

The day after I began my visit to the temple “somewhere in the West” I learned during a routine doctor visit that my blood pressure was high, despite a mostly healthy diet and daily vigorous exercise. He said that, given the troubles of the last two years, most of his patients were experiencing ailments that could be the result of stress and anxiety. He said only a handful of his clients described things as “good.” He advised I pay more attention to the spiritual and the relaxing aspects of life, advice I am only too happy to follow. A subsequent test monitoring my blood pressure for 24 hours showed excellent results, thanks be to God! 

The narrator of the temple story meditates on seven portraits related to the crucifixion, death, and resurrection of Jesus. This may seem a demanding “escape”—after all, it’s not like going to the beach—but it is an opportunity for finding meaning and purpose in a world that appears less in touch with meaning and high purpose. “Lord, have mercy…” became a prayer one morning for all I pray for, including myself. I view the phrase less as a confession than as a spiritual Amber Alert.

The painting on a particular day of my reading depicts a worker astride Jesus stretched on the cross on the ground “driving home the nail which pierced the two feet.”

The poise of the hammering figure suggested the rhythm of long practice, and the impersonality of habitual craftsmanship. … How unconcerned it looked; how callously intent upon its task. As the hammer was a tool in his hands, so was this man a tool to those whose minds had conceived, and whose lips had ordered, this outrage.

Once distance or time could soften for me the impact of the hammer on that nail. … Now my mind could not refuse the knowledge that the same plots and betrayals and denials and shifts and stratagems and mockeries and brutalities are as common now as then. …

Such acts did not belong only to other times and places, and other races. By unmistakable instances it had been brought home to me that my own folk were equally guilty. I was left without hope of righteousness or justice, of gentleness or generosity in the world. … Every crime against the helpless and innocent was an added blow upon that nail. My own folk were striking many such blows…

Eventually the narrator realizes, “I knew with complete conviction that as my own folk had proved to be so was I myself.” What drags me/us down is the awareness that we are caught in a system and are a part of the system that is “callously intent upon its task.”

What especially struck me in this scene was not the banality of evil, but how mechanical evil had become. Not only was the figure wielding the hammer, but he too was a tool wielded by political and religious “powers that be.”

In a strange juxtaposition, during the same week that I revisited The Temple of God’s Wounds, I was reading Oscar Wilde’s The Picture of Dorian Gray. I’ve seen multiple productions of this story but can’t remember ever reading the book. It’s about a beautiful young man who is willing to give up his soul if a painting of him could take on his sins as well as the effects of aging so he might remain young and handsome.

Perhaps we’ve done something similar to Jesus. We’ve placed on him “every crime against the helpless and innocent” so that we can be saved, delivered from responsibility for our own agency in that enterprise.

I had been reading Jesus’ words as part of my Lenten spiritual practice, what my sister laughingly referred to as my “red letter” Jesus when I told her, referring to those Bibles which highlighted Jesus’ words in red font. Though his words comfort and console at first, I found I stumbled when it came to his woeful words about pious religious people and then, the apocalyptic judgment on us all in the end times. That was when I escaped to my Holy Week practice revisiting the temple of God’s wounds.

My Lenten “aha” was that Jesus’ gospel/good news was “Repent, for the kingdom of heaven is at hand,” not John 3:16, which Martin Luther called the gospel in miniature. In his time and our own, Jesus’ gospel is far more necessary.

I grieve with all who mourn the devastating fire that burned Notre Dame Cathedral of Paris this Holy Week. It sent me back to Joseph Campbell's understanding of the vital spiritual power of such sanctuaries, and I will probably reflect on that in two weeks.

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Copyright © 2019 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.  The Temple of God’s Wounds first published by The Morehouse-Gorham Co. (NY) in 1951, British edition published in 1953 by S.P.C.K. (London), all rights reserved.

"I Am with You"

Our backyard tree coming to life.

“I am with you.” God-with-us. Where two or three are gathered. Always.

This is my “aha” of Holy Week. Not original, but deeply felt. I lost myself in these thoughts and feelings that came to me this morning of Good Friday, on the eve of Passover. The stories of both these observances are meant to assure us that God is with us.

God has heard the people cry. Whatever your cry, God has heard it. God is with you. Always.

That’s really all I have to say. But you know me, I want to tell you how I got there.

I almost did not follow my usual Holy Week practice of reading Will Quinlan’s The Temple of God’s Wounds, a chapter per day. I’ve written before of its mystical power for me, though I am not in sync with all its tenets.

This year I coupled these daily readings with the passages of crucifixion and resurrection in the four Gospels. Each day I read a crucifixion text in chronological order of its writing: Mark, Matthew, Luke, and John. On the days that followed I read the resurrection texts in the opposite order: John, Luke, Matthew, and Mark.

What I didn’t realize is that I unconsciously followed the pattern of The Temple of God’s Wounds. The narrator is instructed to view six paintings, one per day. The first three have to do with the crucifixion, the last three have to do with the resurrection.

On this reading, I once again profoundly embraced the narrator’s need for confession. As regular readers of this blog know, I am not too keen on sin, as it has, in my view, been over-emphasized in Christian tradition, plus many of the things labelled sin do not match my experience of what sin really is. That does not mean I am not aware of how I have failed in my human relationships, my relationship with earth and its creatures, and my relationship with God.

On this reading, I also recognized the narrator’s longing not only for transformation, but for an experience of transcendence that left him, in Charles Wesley’s words, “lost in wonder, love, and praise.” That came for me with the remembrance that the whole of the biblical witness testifies to God’s steadfast presence. God has not left us alone.

The incarnation is less important to me as a doctrine than as an experience that God has somehow joined us in Jesus’ passion and compassion, offering a life refreshed rather than defeated by wilderness and suffering and death.

The differences in how Jesus’ story is told among the Gospels allow our own differences. We don’t have to subscribe to every “jot and tittle” of those stories to “get” the meaning, the inspiration, of the story that God is with us.

And, as I review the first draft of this post, I realize I overlooked two other “texts” or better, “contexts” that enhanced and influenced my “aha” about God’s presence: my body mending after a severe cold and our yard and the ravine beyond coming to life after winter. These “gospels” speak even to those who do not know Matthew, Mark, Luke, or John.

“I am with you.” God has heard our cry. God-with-us. Where two or three are gathered. Always.

On this 50^th anniversary of the death of the Rev. Martin Luther King Jr: “Keep the Dream Alive!”

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Copyright © 2018 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved. 

Is God Too Grand for Us?

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Is God too grand for us? In a word, yes.

God has become so big to me that with the psalmist, I worry, who are we that God is mindful of us?

Progressive Christians (hopefully) have not settled for “a pocket God,” a term introduced to me by Evelyn Underhill biographer Dana Greene, a god we can pull out of our vest pocket like a dependable watch, an anthropomorphized deity that reflects our narcissism as well as our peculiar ideologies. Earth, for us, is not the center of God’s universe. We have theologized the Copernican revolution.

That’s why I was struck by one sentence in The Temple of God’s Wounds that longtime readers of this blog will remember I read day-by-day, chapter-by-chapter each day of Holy Week. Each time I find something freshly insightful as well as things that do not speak to me, but in all my years of reading it, I have only underlined one sentence: 

To break God’s heart is beyond human imagining. 

Can the grand God progressive Christians imagine be so personal as to be heartbroken? What happened to the personal God of Abraham and Sarah, Moses and Miriam, Mary and Jesus? What happened to the personal God of the psalmist who wants to “cling” to us, the God whose providence Jesus claims we should trust for our food and clothing like the birds of the air and the lilies of the field?

Do progressives only have left the impartial and somewhat impersonal God of judgment, the God of Micah who commands us “to do justice, love kindness, and walk humbly with our God,” or the judgment day Christ who separates the sheep from the goats, those who helped “the least of these” from those who  failed to do so?

Can we also find a “warm and fuzzy” encounter with God, such as the beloved disciple cuddling with Jesus or the woman washing Jesus’ feet with her tears and drying them with her hair?

Following the lead of contemplatives and mystics and Celtic spirituality, I have repeatedly encouraged “intimacy with God,” believing we can enjoy such intimacy in our prayers and meditation and praise through which we may discover, discern, and disclose God’s proximity in ourselves, our neighbor, our opposition, the stranger.

The God of the Bible is One big enough to create the cosmos as well as the creatures, going so far as to–in the words of the psalmist—shape our inward parts, be with us in every place and condition, and in Christian terms, be welcomed into our hearts and homes and humanity.

Much theology is metaphor, and much of religion is storytelling. Progressive spirituality encourages looking behind, beneath, within and beyond the metaphor, even as our Christian faith challenges us to find the personal in its story.

Please support this blog ministry by clicking here or mailing to MCC, P.O. Box 50488, Sarasota FL 34232 USA, designating “Progressive Christian Reflections” in the memo area of your check or money order. Thank you!

Progressive Christian Reflections is entirely supported by readers’ donations. It is an authorized Emerging Ministry of Metropolitan Community Churches, a denomination welcoming seekers as well as believers. This year, I offer a signed gift copy of my book, Communion of Life: Meditations for the New Millennium, to each one who donates $100 or more (at once or in installments) over the course of 2015.

Copyright © 2015 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.  

The Temple of God's Wounds

Copyright © 2012 by Chris R. Glaser. All rights reserved. Permission granted for non-profit use in worship with attribution of author and blogsite.

Every Holy Week for many years I have travelled to The Temple of God’s Wounds, a small book written in 1951 by the Anglican Bishop of Bombay, ‘Will Quinlan’ nee William Quinlan Lash, a mystic. This past week was no exception. Originally from England, in India the bishop helped found the Christa Prema Seva Sangha (sangha means “community”), which, according to his stub bio in Wikipedia, “sought to live Christianity in a way that was faithful to Indian culture.”

That explains how I received the book during Eastertide of 1988 from the Rev. John Cole, who served in India as a “fraternal worker” (missionary) his entire professional life, immersing himself in its culture and spirituality. John was a sweet and gentle and unassuming man who adopted the speech patterns and body language of the Indian people, complete with their signature deferential slight wobbling of the head. 

John arrived in India the year before Gandhi was assassinated, but never met him because, he confessed to me, his Western reserve initially resisted the cult of personality often associated with Hindu teachers. But eventually India’s spirituality had as much or more effect on John than he on it. He spent his furloughs in the States with the church I served, and so became a friend and confidant and spiritual guide, especially after he retired to southern California.

You can tell that the story of how I came to have The Temple of God’s Wounds is as important to me as the story within the book. It took me a few years before I started using it regularly as part of my spiritual practice for Holy Week. In first person, the book tells the story of a discouraged, worldly but faithful man who is referred by a colleague to a contemplative community “in the West” that neither advertises nor hides its presence, but is accessible to its neighbors for help and prayers. He soon realizes that men and women of accomplishment in the world come there for solace, self-inventory, centering, and strength.

The central task he is assigned is the contemplation of seven paintings—one on each day—in the central circular sanctuary. Three have to do with the crucifixion, three with what follows, and the seventh with a vision of their meaning. Each bear witness to God’s wounded love.

It took me a few years of reading this little book to refrain from trying in vain to picture the author’s detailed descriptions of the buildings, which I can’t follow. Instead of exteriors, I am more interested in the interior life. His life in that week is enriched by walking the surrounding hills, tending the courtyard garden, visiting the sick and dying in nearby villages, sharing silence and worship, conversing with spiritual guides in the community, and reading helpful spiritual writers.

I also learned to set aside any discomfort I had with any Christian concepts that I may not embrace and accept the central truths about the spiritual life being revealed in this story. In other words, just like reading the Bible, I am looking for the “inside” story in the storytelling—what is intended to be conveyed in the particulars.

Each time I visit The Temple of God’s Wounds, with its central courtyard cross pierced with nails for each of Jesus’ five wounds, I think of the retreat house in the hills above Santa Barbara that I visited from time to time when I lived in southern California. Mt. Calvary was run by the Episcopal Order of the Holy Cross. It too had such a cross at the heart of its central courtyard.

My last two opportunities to visit there before it was destroyed in the Montecito fire of 2008 proved spiritual metaphors. The first, I wanted to show my partner and my family members who live nearby the spectacular view Mt. Calvary afforded of Santa Barbara and its shoreline. But my family members wanted us to see a still more spectacular view, and took us to a ridge high above Mt. Calvary, which, given the haze and the height, precluded good vision. The second, on the way home to Atlanta after my interim ministry in San Francisco, was my last opportunity to show Mt. Calvary to my partner and our dog, and we enjoyed a breathtaking view.

This contrast reminded me that the higher up you are does not guarantee an inspiring view.  The Vatican, an ivory tower, a corporate ladder do not assure anyone a better perspective. Success, wealth, even fitness do not ensure vision. The successful but searching narrator of the bishop’s book gives further evidence of this.

That’s why we need centers and stories like The Temple of God’s Wounds.

+++

Rev. Chris Glaser is available to speak, preach, teach, consult, and lead workshops and retreats. For possible topics, explore the many posts on his blog, www.chrisglaser.blogspot.com and his Speaking Topics page on his website, www.chrisglaser.com.