Showing posts with label van Gogh. Show all posts
Showing posts with label van Gogh. Show all posts

Wednesday, November 25, 2020

Contemplation in Science


Anthropologist Jeremy Narby’s book, Intelligence in Nature: An Inquiry into Knowledge, which I referred to two weeks ago, reminded me of the role of contemplation in the scientific quest.

I’ve written before about Einstein’s famous “thought experiments” by which he developed explanations for natural phenomena, comparing them to the imagination Saint Ignatius felt was needed in the contemplative life.

In a chapter entitled “Plants as Brains,” Narby reports the work of Anthony Trewavas, a biologist at the University of Edinburgh, which he summarizes:

Plants have intentions, make decisions, and compute complex aspects of their environment. … When attacked by herbivores, some plants signal for help, releasing chemicals that attract their assailants’ predators. … When a plant is damaged, its cells send one another electrical signals just like our own pain messages [p 83-4].

Trewavas prefers to use the word “compute” to “think” when applied to plants [p87] and disputes the long held scientific position that plants are passive because they do not move, explaining “it requires an equating of movement with intelligence. Movement is an expression of intelligence [p85]” speculating that “plant communication is likely to be as complex as within a brain [p93].”

I will leave all of that for scientists to hash out. What interests me as a contemplative wannabe is Trewavas’s process developing such thoughts, “I find it’s only by long periods of doing nothing but think that suddenly facts start coming into your mind [p90].”

Half of Narby’s book consists of detailed footnotes that undergirds or sometimes questions his text. I find these details occasionally hard to understand, as I am clearly not a scientist, but I can appreciate their gist. I’m not a footnote kind of guy, but I find these footnotes awesome and well worth the read. It’s there that I found these thoughts from W. I. B. Beveridge, written in 1950 under the title The Art of Scientific Investigation:

The most important prerequisite is prolonged contemplation of the problem and the data until the mind is saturated with it. … The mind must work consciously on the problem for days in order to get the subconscious mind working on it [p 206].

Diversions and distractions are to be avoided, but idle time can be useful and fertile. This made me think of Vincent van Gogh’s idle time after being dismissed from his pastoral position by church hierarchy dismayed at his lack of social distance from his parishioners. It was then van Gogh thought he might take up drawing and painting, hoping his paintings would have the same consoling effect the Christian faith once offered.

Beveridge continues:

Most people find intuitions are more likely to come during a period of apparent idleness and temporary abandonment of the problem following periods of intensive work. Light occupations requiring no mental effort, such as walking in the country, bathing, shaving, traveling to and from work, are said by some to be when intuitions most often appear… [p207].

That’s the way I work, by spending a little “idle” time that allows thoughts or feelings, patterns or analyses to “bubble up.” In college I read process philosopher Henri Bergson, who suggested that along with rational thought we needed intuitive thinking. Intuition may simply be the subconscious mind offering an insight or solution from its hidden depths.

To me, that’s the gift of contemplation in the spiritual life as well.

 

For Thanksgiving in the U.S. tomorrow, please see last week’s post: Thanksgivings

My friend and blog reader J. Barrie Shepherd is offering a holiday chapbook:

A Poetic Pandemic Christmas Pudding “a plump and spicy concoction of words, phrases and images to evoke the many flavors and aromas of the yuletide feast. P.S. Add brandy to ignite.

Proceeds go to food pantries in his area of Maine. $10 per copy plus $2 postage. Send check made out to J. Barrie Shepherd to 15 Piper Road – K325, Scarborough ME 04074. Copies will be signed and can be inscribed by request. Or order though his email: barrieshep@aol.com.

Donations to Progressive Christian Reflections may be given safely by clicking here and scrolling down to the donate link below its description. Thank you!

Copyright © 2020 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.  



Wednesday, February 24, 2016

Henri, Vincent, and Compassion

Henri giving Chris a cross from El Salvador

In celebration of this month’s fifth anniversary of my blog, the last entry of January and every Wednesday of February I’ve provided the most visited post of each year. For 2015, that would be Progressive vs. “Biblical” Christianity.

My friend, Nouwen biographer Michael Ford, invited me to write this piece about Henri Nouwen for a retreat he is leading on the spiritual writer this week.  It so happens that details of my own spiritual formation course on Nouwen September 22-25, 2016 were posted last week. It tends to fill up, so register early!

When Henri Nouwen proposed a course on “The Life and Ministry of Vincent van Gogh” at Yale Divinity School for the spring semester of 1977, his fellow academics were stymied, expressing concern: “But he was an artist.” “Wasn’t he crazy?” “Didn’t he kill himself?”

I took that seminar and it was my last formal course with Henri, though our friendship would continue through the rest of his life. We viewed photos and prints of van Gogh’s paintings, read his voluminous Letters to Theo (his patron brother), and biographical materials. A limit of a dozen or so students allowed an intimate, conversational format.

Many parallels drew Henri to Vincent. They preferred using only their first names. They were from Holland. Both were prolific. They shared compassion for the poor, the outcast, the marginalized, and the underprivileged. They each exercised unconventional ministries. Both were problematic as well as prophetic for the church. Either could be intense. And both were extremely lonely.

I did not know that Vincent had begun as a conventional Calvinist minister to the coal miners of the Borinage, and that his ministry scandalized the church because he did not keep a “professional” distance—descending into the mines with them, chatting with them at their kitchen tables, giving them his possessions, including his own bed to a sick woman.

This led to his dismissal from his pulpit by the church hierarchy and a long idle period trying to discern, “What next?” He decided to take up painting, hoping that his work would offer the same consolation that the Christian faith once did, even as Henri’s books about our very human challenges consoled his readers.

Unlike Vincent, who only sold two paintings in his lifetime, Henri’s books soon touched millions, either directly or indirectly through their influence on Catholic, Orthodox, and Protestant pastors and lay leaders throughout the world.

Henri’s classes helped countless students discern their true vocations, not just in ministry, but determining what kind of minister they were called to be. As the final paper for that course I wrote a fictional story about a woman in transition, ministered by two versions of van Gogh’s Madame Roulin and Her Baby, which I spent time contemplating, first in Philadelphia and then in New York City.

Writing that story was the most fulfilling paper I produced in all three years of seminary, because it brought together compassion (my required muse) and creativity, as well as my callings as a writer and minister.

I am grateful to Henri and Vincent for their spiritual guidance. Vincent once wrote that Jesus was an artist whose medium was human flesh. Both Henri and Vincent followed in his footsteps as soul artists.


A reading for this week of Lent:

Click on their names to find other posts that refer to Vincent van Gogh or Henri Nouwen.

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Donations of $100 or more either at once or over 2016 will receive a signed gift copy of my book, Henri’s Mantle: 100 Meditations on Nouwen’s Legacy.

Copyright © 2016 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.