Copyright © 2012
by Chris R. Glaser. All rights reserved. Permission granted for non-profit use
with attribution of author and blogsite.
I am convinced
that films often serve as the “sermons” of our time, interpreting what Jesus
was all about.
As a boy, I was
sometimes left to entertain myself on Saturday afternoons. Watching TV, I
happened onto a film that touched my experience even before I could name it. I
knew I was different and was pained by my difference because, like most
children, I wanted to be like everyone else.
The Boy with
Green Hair was about a war orphan my age who woke up one morning and discovered
his hair had turned green. Now, I had to gather this from the dialogue, because
we only had a black and white television set. Besides my nascent sexuality,
which I could hide, I had an analogous experience: I had bright red hair. My
father affectionately called me “carrot top,” which I didn’t mind, but hated it
when a stranger called me “red,” usually in a less-than-respectful way.
So I could
understand from several vantage points the discomfort of the boy with green
hair who wanted to fit in, but had schoolmates make fun of him, fear him, even
scapegoat him. The boy had learned the day before his hair turned green the
truth that he was an orphan, having never been told his parents were killed
doing relief work in war-ravaged Europe. Passed around by various selfish
relatives, he finally landed with “gramp,” a compassionate, retired vaudeville
performer and magician.
The orphan has a
mystical encounter with fellow war orphans in the woods, one of whom tells him
his green hair may be a sign of something good, a way to tell others of the
cost of war. No one believes him, of course, and he finally submits to the pressure
of conformity and has his head shaved, an act which causes all who tormented
him to be ashamed. When read a letter his father left behind, assuring him of
his parents’ love and encouraging him to warn others of the price of war, he
resolves to let his hair grow back green if it wants to. He accepts his
difference. I identified with him because I knew I was different, though being
gay was then more unspeakable than having either green or red hair.
Not many years
ago I discovered a whole community online that had similarly identified with
the boy, having seen the film on television in the 60s, themselves experiencing
in various ways what it was like not to fit in, those whose differences
“orphaned” them. I also learned that the director of the film, Joseph Losey,
was blacklisted three years later for refusing to appear and refusing to
cooperate with the inquisition known as Senator Joe McCarthy’s Committee on
Un-American Activities.
Another form of
McCarthyism is expressed today by those who vilify “identity politics,” as if
it were a new thing or a bad thing. But it’s nothing new, having been practiced
by dominant cultures that required conformity to their identities to belong.
And it’s only bad when refusing to welcome those of different identities.
A friend of mine,
Mel White, used to do a series for churches entitled, “I Saw Jesus at the
Movies.” I saw Jesus in this movie about pacifism and diversity and the courage
and compassion required to achieve both.
+++
Chris will be
leading “Claim the God in You! A Midsummer Retreat” in Roanoke, Virginia, July
13-15, 2012, hosted by the MCC of the Blue Ridge. Various events may be
attended singly or together. The public is welcome! See details on the church’s website, clicking on the far right box: MCCBR Retreat.
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