Showing posts with label The Final Deadline. Show all posts
Showing posts with label The Final Deadline. Show all posts

Wednesday, November 20, 2019

Thanks Be to God for All Who Made You!

Mystery of Faith, Ruby Swinney, South Africa.

Earlier this month my sister and brother and I remembered the 80th anniversary of our parents’ wedding! It reminded me of my 2012 post, “The Making of You”  and its gratitude for ways my parents shaped my character, attitudes, compassion, and interests.

As we approach the American observance of Thanksgiving this year, it occurred to me to present again a part of that reflection to encourage you to consider all who shaped you. At the end I encourage your participation, inviting you to share on this blog the kinds of people who made you into who you are today.

Here’s the excerpt and invitation from the earlier post:

During my morning prayers I thanked my parents and I thanked God for their having me, caring for me, nurturing me, and encouraging my independence. In my book, The Final Deadline: What Death Has Taught Me about Life, I pointed out that, despite their deaths decades ago, they continue to teach me. Some new experience or wisdom will come my way, and the proverbial light bulb will go on over my head, “Oh, that’s what Mom meant! Or that’s what Dad felt!” Many readers recognized that experience in their own lives.

I used to send Mom flowers on my birthday, following the practice I learned from a friend. After all, she was the one who did the labor that made it possible!

On my own birthday last fall, I began thanking God for my parents, siblings, cousins, nephews, grandparents, aunts and uncles, Jesus, God, faith, and so on, and then I continued, thinking of all the people who had shaped me—lovers, friends, neighbors, church members, clergy, political leaders, communities, movements, environments, etc. A morning meditation became a day-long and then week-long reverie remembering all who touched my life in meaningful ways. The list became REALLY long when I began naming teachers! And then, authors!

I can never claim to be a self-made man, thanks be to God!

Who all made you?

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This Sunday, November 24, 2019 I’ve been invited to speak to Atlanta’s First Existentialist Congregation (UU) in the nearby neighborhood of Candler Park on something preparatory of Thanksgiving, November 28. I chose as my topic “Considering Gratitude for Things that Don’t Make us ‘Feel’ Grateful,” suggesting the value of setbacks, failures, losses, and opposition in our lives. I will offer an excerpt of that talk as next week’s post the day before Thanksgiving, encouraging similar feedback.


The Amazon link for The Final Deadline:

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Wednesday, February 6, 2019

Godly Boredom

Sun through clouds, Atlanta. -crg

I’m writing this on the afternoon of Superbowl Sunday from frenzied Superbowl host Atlanta which currently looks like, in the words of a city planner neighbor, a city under occupation: roadblocks and street closings, helicopters buzzing the skies, small planes carrying banners, big planes carrying visitors, sirens screaming at all hours, a heavy and active police and security and first responder presence. 

In this context of hyperactivity, Book Review Editor Pamela Paul’s column, “Let Children Get Bored Again,” in this morning’s New York Times speaks all the more loudly and clearly: “Boredom is useful. It’s good for you.” Explaining the potential for constructiveness and resourcefulness in “empty” time, she says, “Perhaps in an incessant, up-the-ante world, we could do with a little less excitement.”

Asserting “Life isn’t meant to be an endless parade of amusements,” she questions “the teacher’s job to entertain as well as educate.”

Christian spirituality author Henri Nouwen critiqued “entertainment” by breaking down the word entertain, which means “to keep between”—in other words, to keep us betwixt and between in constant tension about what happens next.

Ms. Paul reminisces about the days when children were “left unattended with nothing but bookshelves and tree branches, and later, bad afternoon television.” She quotes Hamilton creator Lin-Manuel Miranda, “There is nothing better to spur creativity than a blank page or an empty bedroom.”

“It’s when you are bored that stories set in,” she declares. “Checking out groceries at the supermarket, I invented narratives around people’s purchases.”

This reminded me of how I filled the empty spaces as a ticket taker and usher at a movie theater when I was in college. I thought one of my first books would be Views from a Ticket Taker.

It also made me think of a digression in my 2010 book, The Final Deadline: What Death Has Taught Me about Life:

Saturday was a mixed blessing growing up. No school, but I loved school, or at least I loved the structure it gave my day. My dad worked on Saturday, unfortunately. My mom would get up very early to fix his breakfast before work, then return to bed for a little while. …

I remember bouncing with my brother and sister and mom on her bed Saturday mornings, before or after breakfast, and we would sit and visit and enjoy a little time together with nothing to do but laugh and talk and dream. A whole empty day stretched out before us, a day of housecleaning and laundry and reading books (never magazines: early it was instilled in me by my mother that if I had time to read, I should be reading a book) and watching television.

My sister and years later, my brother, would drive Mom to the store to do the weekly grocery shopping, if my father had not done so the night before. (Strangely, my mother never learned to drive.) And I would be left alone, a time I also loved, but also a lonely time when I wished my friends from school were closer. Going to a parochial school meant fellow students were dispersed throughout my then-known universe, the 500 square miles of Los Angeles. …

Saturday was my longest day, a day whose structure I had more freedom to shape than any other day of the week, making me feel sorry for those children today whose free time is overly scheduled by ambitious or well-intentioned parents. Small wonder that my life now consists of a succession of “Saturdays,” having chosen to be a writer. It is a life blessed by more freedom than the lives of others, though it is also fraught with fear, having no imposed structure but my own, and having no assured income, especially when writing something like this book, entirely on speculation. Yet it does stretch my days, it does stretch my life. And it offers me sanctuary to “stand under” (as Camus wrote of it), if not to wholly understand. [pp 12-15]

Reflecting on all this today, I think how boredom may become a sacred time and place, a fertile sanctuary for creativity and dreams, a godly opportunity.

Perhaps it was Godly boredom that led to the Big Bang and the evolution of life and to you and to me.


Progressive Christian Reflections is entirely supported by reader donations. To support this blog: http://mccchurch.org/ministries/progressive-christian-reflections/
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Copyright © 2019 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved. 

Wednesday, August 24, 2016

Man Facing Southeast

Scene from Man Facing Southeast

Man Facing Southeast is a 1986 film from Argentina. It depicts a man who commits himself to a mental hospital, while claiming to be an extraterrestrial. Every day, he stands in the same place in the hospital yard, facing southeast, contemplating or communicating with his planet of origin.

As I write this, it suddenly occurs to me I do the same thing during my morning prayers on our deck, facing southeast while seated, contemplating and “communicating” with my point of origin, as well as yours! But this is not why I’m writing this post.

Wednesdays, after promoting my blog on 30 or so relevant organizational Facebook pages, I walk in nearby Grant Park, a walk I used to take with Hobbes. Over the past month or so, I have encountered a man standing in the same place along my path: a 30-ish African American, neatly dressed in vintage clothing, a roller bag at his side, maybe homeless, and intently gazing straight ahead. Sometimes he has something in hand, his free hand gesturing, occasionally moving his lips. Sometimes he is standing motionless and staring straight ahead. I try to acknowledge him with a simple nod or a one-word greeting as I pass, not wanting to interrupt his focus.

A couple of weeks ago, I noticed he was holding a clump of pages from a Bible. He looked as if he was soundlessly mouthing words, his free hand motioning to an unseen audience, and it occurred to me that perhaps he was practicing a sermon. I wondered if he served a congregation, or if, as a modern-day Saint Francis, he was offering his words to the birds in the branches of the tall old trees before him.

This man facing northwest made me think of the movie Man Facing Southeast. I wondered if he too was in contemplation and communication with his place of origin.

I was shown the film by my friend Scott Rogo, who thought I would appreciate its spiritual intimations. To this day I have the video copy he gave me after we watched it together. Scott wrote 30 books as a parapsychologist, his interest in the paranormal initiated by an out-of-body experience in high school.

Scott and I had barely known each other then. He was in band and I was in choir in adjacent classrooms. Our first semester in college, we happened to take the same “Man’s Religions” course, and my Pollyanna spirituality seemed distasteful to his skeptically agnostic view.

A decade later, our mutual concern about the AIDS epidemic led to meeting again “as if for the first time,” learning each other was gay. He was already a published author and I was trying to complete my first book, and our shared interest in very different expressions of spirituality prompted us to meet every couple of weeks for lunch. He once visited the church I served, but felt more comfortable in the familiar surroundings of his home synagogue, though he did not attend regularly.

He was as an early reader of my first book, giving me its title, Uncommon Calling, and encouraging me to write its hopeful epilogue, observing that throughout the book I had followed every “crucifixion” with a “resurrection,” and I should do the same with its conclusion.

I wrote about our unique friendship and his shocking murder at age 4o in my last published book, The Final Deadline: What Death Has Taught Me about Life.

So Man Facing Southeast means a lot to me.

The doctor treating its protagonist comes to question his own science, as he “recognizes his new patient’s special abilities and contagiously humanitarian outlook on life,” in the words of one reviewer.

No wonder people thought Jesus was an “extraterrestrial.”



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Copyright © 2016 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.