Henri Joins the Circus

Henri catching the wing of a windmill.

To give us a break in the midst of our pandemic and political drama, as well as for my friends and family coping with fire and smoke on the West Coast of the U.S., I offer this to bring a smile to your face.

Attending an international Nouwen conference in Toronto in the summer of 2016, I was reminded of the research Henri Nouwen did for a book he never wrote about the Flying Rodleighs, trapeze artists in a German circus. He wanted it to say something about the spiritual life in more universal (rather than religious) language. So I wrote and posted this children’s story on August 10, 2016. I had fun drawing Henri on a windmill!  It alludes to his early book Clowning in Rome and his later fascination with the trapeze.

Once upon a time there was a wide-eyed boy named Henri. He lived in Holland during a great war. His hands were large, his ears were large, he was clumsy and awkward, and he felt like a clown.

And so he went to clown seminary. He devoted himself to learning all the gestures a clown must use, flapping his oversize hands like birds, extending them at arms’ length in welcome, clapping them rapidly together as if offering multiple expressions of gratitude for everything and everyone he encountered.

He stuck his neck out, squinted his eyes as if to see better, turned a big ear to hear clearly, bowed grandly but deferentially, and stood on tippy-toes to accentuate his already great height when making a point. And he had a huge, goofy grin that revealed his absolute delight at encountering you.

Henri found a costume that accentuated his vocation, and learned how to apply garish makeup that sometimes covered his true feelings.

So Henri joined the circus, following the poet e.e. cummings’ famous advice: “damn everything but the circus.” He travelled hither and yon, over hill and over dale, as the circus wagons kept rolling along.

He stumbled and fumbled and tumbled and somersaulted his way into people’s hearts. “He is just like us,” they said, sometimes smiling in recognition, sometimes deeply moved as his familiar foibles and limitations tugged at their heart strings. His disabilities mirrored our disabilities.

But Henri had a secret wish: to fly through the air with the greatest of ease. Sometimes his height allowed him to catch an arm of a windmill, common in Holland’s countryside, and the uplift took his breath away. He could see great distances and imagine himself flung to the heavens before crashing to earth in a pile of hay, cushioning his fall.

And then Henri met Rodney, a trapeze artist. Rodney was strong and graceful, beautiful and amazing. He was everything Henri wished to be, and  HE COULD FLY! Boy, could he fly, doing doubles and triples midair without a care in the world.

“How do you do that?” Henri asked Rodney, appreciatively. “Being absolutely present in the moment,” Rodney explained. “I let go of everything that can hold me down: my cares, my doubts, my fears, even yesterday’s mistakes. And I trust. I trust the Catcher, and I trust the net. Gravity is not my enemy; it is the friend that brings me home. I can go up toward the skies knowing I will come home. I surrender to the moment and soar, knowing gravity will keep me down to earth.”

Then Rodney added, “It’s the same thing you do when you stumble and fumble and tumble and somersault into people’s hearts—except you do it grounded. Your gravity is compassion. Your home is the heart.”

Henri was stunned. He had never thought of his work in this way. Rodney’s words lifted him up, and Henri felt like this man on the flying trapeze.

My book about Henri:

Henri’s Mantle: 100 Meditations on Nouwen’s Legacy

Donations to Progressive Christian Reflections may be given safely by clicking here and scrolling down to the donate link below its description. Thank you!

Copyright © 2016 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.

An Unfinished Mystic

Henri Nouwen puzzles over a question.

Presbyterian General Assembly, Indianapolis, 1985 (crg)

I have finally read Michael Ford’s most recent “portrait” of Henri J. M. Nouwen. I didn’t jump into it when I received it last summer partly because I needed a kind of sabbatical from Henri for a few of the same reasons I kept my distance in real life. Paulist Press, at the behest of Mike no doubt, sent it as thanks for including some of my thoughts on whether Henri was a mystic.

Lonely Mystic: A New Portrait of Henri J. M. Nouwen is the most intimate glimpse of Henri yet, if that’s even possible, given his intimate self-portrayals in almost every one of his own books. It may make those who want to see Henri canonized squirm a little, though not because of any illicit affairs or theological heresies or tasteless behavior. He was the consummate “best little boy in the world” that every gay boy and man wants to be, but his calling to a celibate vocation kept him lonely and needy and sometimes, broken.

I read with particular interest the chapter on Frank Hamilton’s close friendship with Henri. Begun as Frank eagerly sought out Henri for spiritual guidance, over many years it transformed to a friendship that I would describe as “soul friends.” I had heard some of the stories recounted in the chapter from Frank himself over a private dinner when he attended my first Columbia Seminary spiritual formation course on Henri. A few other stories are found in Henri’s own books. Btw, I’ve been asked to teach the course again September 17-20, 2020, and I’m thinking I will use this new book as one of the texts, prompting intriguing changes in the content.

Though I resisted the tug of Henri’s emotional needs as well as the spotlight of having a famous friend, I envied Frank a little for the spiritual intimacy he and Henri shared. Yet I had my own life to live as a gay activist and, I hoped, a spiritual guide within the LGBT community, and my notoriety as such even prompted Henri to decline a desire to dedicate one of my books to him, at least, while he was alive. After his death, I dedicated Coming Out as Sacrament to him, an ironic twist in that Henri never came out, though Mike points out that many a gay reader recognized their own experience through his books in his passionate reaching out to others and to God.

Mike asked me to reflect on the question, was Henri Nouwen a mystic? Using Evelyn Underhill’s stages of a mystic, I saw that Henri had experienced all five, though as “dimensions” of mysticism, cyclical rather than sequential. The final stage, union, is debatable. In that context, I suggested Henri might be considered an “unfinished mystic,” never having finally “arrived.” Like the chapters about various events in Lillian Helman’s memoir Unfinished Woman or Rembrandt’s many self-portraits over the years, each of Henri’s books may represent a self-portrait of Henri at that point in time, amid different circumstances, contexts, and communities.

I’ve written before that, in the spiritual life, there is no finish line. And that the greatest spiritual danger is to believe one has “arrived.” There are no “finishing schools” for saints, which accounts for their often eccentric, countercultural, and prophetic ways. For Mike’s purpose, I used as examples Henri’s unfinished books on Adam, his charge at Daybreak (completed by Sue Mosteller, his literary executrix), and the Flying Rodleighs, trapeze artists,

who came to represent complete union with God. They had taught him the vital (life-giving) importance of “trusting the catcher,” in life and in death. That he never completed this book is emblematic of Henri’s own inability to let go. Instead of trusting, he was always trying to “catch the catcher” (take hold of God).

            [Lonely Mystic, 150]

As Henri explained in Our Greatest Gift: A Meditation on Dying and Caring, the flyer is considered by the audience the hero in the trapeze act, as he or she lets go of the bar and does double or triple flips midair before being caught by the catcher. But the real hero is the catcher, whose timing is precise enough to reach for the flyer at just the right time. If the flyer tries to catch the catcher, the latter’s wrists might be broken, so trust in the catcher is key. Henri compared this to trusting God, the Divine Catcher, in life and in death. [Our Greatest Gift, 66-67]

Romantic Age poets saw worth and beauty in an unfinished work. Henri was a great romantic, and an “unfinished” mystic. That is what draws us to his writing—his vulnerability, his incompleteness, his wounds. Like the Jesus he followed, he was in every way like we are.

A couple of months ago, I considered bringing this blog to an end. Faced with the impenetrability of God in Christian mysticism, challenged by Buddhist mysticism and the concept of “no thing,” and only too well aware of my own limitations, I felt it was time to keep quiet, to keep silence. But angels keep troubling my waters, and I feel called to respond. And many of those angels are you, the readers.

To read other posts about Henri Nouwen, click here, and scroll down. For those of you who observe this season of Lent, they may add to your spiritual practice.

Progressive Christian Reflections is entirely supported by reader donations. To support this blog: http://mccchurch.org/ministries/progressive-christian-reflections/

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Copyright © 2019 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved. 

Henri Joins the Circus

Henri catching the wing of a windmill.

I invite you to Be Still! Be Loved! Be Grateful!, a Spiritual Formation course that I will be leading at Columbia Seminary in Decatur, GA, on Henri Nouwen’s life, ministry, and writings Sept. 22-24, 2016 following the 2oth anniversary of his death Sept. 21, 1996. A technical glitch tried to put some registrants on a waiting list, but there are still openings.

Attending an international Nouwen conference in Toronto this past June and doing further reading in preparation for the course, I’ve been thinking about the research Henri did for a book he never wrote about the Flying Rodleighs, trapeze artists in a German circus. He wanted it to say something about the spiritual life in more universal (rather than religious) language. So, last week, this children’s story came out of me!

Once upon a time there was a wide-eyed boy named Henri. He lived in Holland during a great war. His hands were large, his ears were large, he was clumsy and awkward, and he felt like a clown.

And so he went to clown seminary. He devoted himself to learning all the gestures a clown must use, flapping his oversize hands like birds, extending them at arms’ length in welcome, clapping them rapidly together as if offering multiple expressions of gratitude for everything and everyone he encountered.

He stuck his neck out, squinted his eyes as if to see better, turned a big ear to hear clearly, bowed grandly but deferentially, and stood on tippy-toes to accentuate his already great height when making a point. And he had a huge, goofy grin that revealed his absolute delight at encountering you.

Henri found a costume that accentuated his vocation, and learned how to apply garish makeup that sometimes covered his true feelings.

So Henri joined the circus, following the poet e.e. cummings’ famous advice: “damn everything but the circus.” He travelled hither and yon, over hill and over dale, as the circus wagons kept rolling along.

He stumbled and fumbled and tumbled and somersaulted his way into people’s hearts. “He is just like us,” they said, sometimes smiling in recognition, sometimes deeply moved as his familiar foibles and limitations tugged at their heart strings. His disabilities mirrored our disabilities. 

But Henri had a secret wish: to fly through the air with the greatest of ease. Sometimes his height allowed him to catch an arm of a windmill, common in Holland’s countryside, and the uplift took his breath away. He could see great distances and imagine himself flung to the heavens before crashing to earth in a pile of hay, cushioning his fall.

And then Henri met Rodney, a trapeze artist. Rodney was strong and graceful, beautiful and amazing. He was everything Henri wished to be, and  HE COULD FLY! Boy, could he fly, doing doubles and triples midair without a care in the world.

“How do you do that?” Henri asked Rodney, appreciatively. “Being absolutely present in the moment,” Rodney explained. “I let go of everything that can hold me down: my cares, my doubts, my fears, even yesterday’s mistakes. And I trust. I trust the Catcher, and I trust the net. Gravity is not my enemy; it is the friend that brings me home. I can go up toward the skies knowing I will come home. I surrender to the moment and soar, knowing gravity will keep me down to earth.”

Then Rodney added, “It’s the same thing you do when you stumble and fumble and tumble and somersault into people’s hearts—except you do it grounded. Your gravity is compassion. Your home is the heart.”

Henri was stunned. He had never thought of his work in this way. Rodney’s words lifted him up, and Henri felt like this man on the flying trapeze.

My book about Henri:

Henri’s Mantle: 100 Meditations on Nouwen’s Legacy

Click here for my posts that mention Henri, and scroll down.

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Copyright © 2016 by Chris R. Glaser. Permission granted for non-profit use with attribution of author and blogsite. Other rights reserved.